I’m regularly lambasted for being old and out of touch, but I’m quite proud to prove that at least one of those accusations wrong with at least 90% of this list! Not a Metallica or Rolling Stones in sight, though I’m still fond of this year’s output. And I still don’t like Bowie.
- Jesu & Sun Kil Moon – Jesu & Sun Kil Moon. When you’ve got a name that catchy, I think it makes sense to use it on your album too! Amazing how adding one element can make everything so different. It’s never been such a stretch to associate previous Jesu stuff to Justin Broadrick’s Godflesh past, but Kozelek’s ultra-slacker vocals unexpectedly shift this right into Red House Painters territory (more so than his Sun Kil Moon incarnation), rather than the post-rock shoegaze you’d expect, even though it’s often still there in the background textures. I love Jesu, I love Red House Painters, this is a very unlikely dream come true!
- Nothing – Tired of Tomorrow. More shoegaze, but this time I’d call it post-hardcore shoegaze! There’s some really incredible soaring and shimmering guitar at play here, but with an occasional hint of heaviness to it that sets it apart from the likes of my other favourites Klimt1918, Swervedriver or My Vitriol, veering towards early Smashing Pumpkins. That heaviness applies even more to the lyrics though, nodding to the band members’ hardcore past and echoing Ian Curtis with a bit of disease and decay sprinkled on top.
- Desert Mountain Tribe – Either That or the Moon. Driving, melodic psychedelic rock that can really suck you in and mesmerise you for it’s full length. Multi-layered and complex, great vocals and some really captivating instrumentals. One of my new finds of the year!
- Black Angel Drifter – Black Angel Drifter. I know I wasn’t actually there, but this takes me right back to my beloved early seventies Texarkana swampland; look up The Legend of Boggy Creek on YouTube! Feral, gothic, sparce Americana about murder and addiction and stuff, just like I plan to make one day!
- Dawn of Ashes – Theophany. I listened to this more than any other [new] album this year. Intense but accessible modern industrial black metal, only let down by an unnecessary Nine Inch Nails cover at the ends, but that’s very easy to avoid.
- FEWS – Means. My annual breakthrough psychedelic post-punk act, and these Swedish-Americans definitely outshone anything else in this admittedly specialist genre in 2016! Literally 20 seconds of Apple Music preview was all it took me to know I’d found one of my albums of the year. Emotive guitar lines, a driving, almost hypnotic bass and a lovely air of playful gloom. Great album.
- The Besnard Lakes – A Coliseum Complex Museum. I think this was the first album I picked up this year and one I had high expectations for. I’ve been a fan since their first album, and always seen them as a bit of a throwback to something, but it’s hard to pin down what – the late 60’s and The Beach Boys; some proggy thing from the 70’s that I’d probably claim I’m not familiar with even if I was; early 90’s shoegaze… For anyone else that’s followed the band, it is a bit by numbers, albeit feeling slightly more “dense” than the more dreamy last couple of albums. That said, they live in their own grandiose, atmospheric world, and I was more than happy to visit it repeatedly through 2016 with this album.
- Dinosaur Jr. Pure comfort food for anyone that lived through grunge and was intelligent enough to peek below its surface. Perfect summertime forty-something nostalgia!
- Ihsahn – Arktis. Intensely atmospheric latest release by the man from Emperor. Moments of dark ambience, prog and electronica perfectly complement an emotional black metal masterclass.
- Nick Cave – Skeleton Tree. Beautiful, haunting and heartbreaking in equal measure. Just put it on through some decent headphones and listen to every word. He deserves nothing less.