Clearly, The Doors’ Live at the Isle of Wight Festival is the best album released in 2018, but in the spirit of giving new artists (such as The Damned and Superchunk) a chance to shine, I’m going to stick to albums actually recorded within the last year, or failing that, at least within my lifetime! I’ve also just noticed it appears to have been quite the year for black metal…
1 Watain – Trident Wolf Eclipse
As soon as this as announced last year, I did have an inkling that this, the first release I picked up in the first week of 2018, might become my favourite album of the year, but I wasn’t expecting what it turned out to be. From being heirs-apparent to Satyricon’s “mainstream” black metal throne with their last release, they’ve gone right back to their underground roots with something more comparable to Marduk’s decades old masterwork Panzer Division Marduk. It’s a twisted journey through many intertwining layers of ferocity, and it’s an incredible one.
2 Violet Cold – Sommermorgen, Pt. I: Innocence, Pt. II: Joy, Pt. III: Nostalgia
Without doubt the best triple album of the year, as well as being the most uplifting and emotional rock album(s) of most years! Completely instrumental; part shoegaze, in no small part thanks to consistently wonderful soaring guitar lines that might even make Slowdive look on in awe, and part post-metal, though in a distinctly un-metal way. Absolutely fantastic set of albums that I’d have taken any one of in any given year, that have been in non-stop rotation since they all appeared. Just wonderful.
3 Marduk – Viktoria
The opening track, Werwolf, confirms this as a classic Marduk black metal blitz. It just blows your socks off every listen, and whilst the band do offer the odd melodic respite throughout the album, this is pretty much what you get for the duration. Great musicianship, true to form subject matter that will offend all who deserve to be offended, and just a wonderfully cold, cold record.
4 Immortal- Northern Chaos Gods
Masterful mix of raw aggression and more ambient moments, and a masterwork in black metal songwriting throughout, none more so than in 10-minute album closer, Mighty Ravendark. Special mention to some fantastic use of clean guitars that somehow add even more grimness to the mix. Exquisite.
5 Ghost – Prequelle
When Abba met Kiss… or as the recently outed mastermind behind Ghost, Tobias Forge said, sounds like the band from the seventies you never heard. Another slice of bonkers dark glam rock that is more stadium than occult now, but is still sinister (loosely themed as a concept album about the Black Death), is often strangely hypnotic and is as catchy as hell.
6 Behemoth – I Loved You at Your Darkest
This is some complex, heavy satanic black metal! There’s choirs, chanting, operatics, orchestras and ambience, but those are all just finishing touches to a vision of hell that it’s hard to tear your ears away from. They’re not really pushing any boundaries, but their evil excellence makes that totally irrelevant.
7 Primordial – Exile Amongst The Ruins
Always a band I look forward to hearing something new from – progressive (as in progressive, not prog) as ever, often epic, doom-laden, Celtic folk-tinged black-ish metal! As always, the bleak lyrics come across as a call to war, complementing a highly atmospheric, crushing and elemental album from these masters of their art.
8 The Damned – Evil Spirits
Despite being a band I’ve been into since a very early age, and one that created my favourite album ever in Phantasmagoria, I’ve always maintained that you could probably make one decent album out of everything The Damned has produced since Anything in 1985. Then along comes Evil Spirits, and it’s not only a decent album, but a very good one indeed! It does hark back to Anything, with a very 80’s multi-layered production style, and the band once again tapping into their more psychedelic influences. It might not be very punk anymore, but they still know how to write a catchy, angry tune!
9 Ihsahn – Amr
Incredibly polished, atmospheric and almost cinematic, just like every release since Ihsahn emerged from Emperor. And with every release, he’s moving the boundaries further from what started as black metal with some clever embellishments, to some mind-boggling songwriting that touches all kinds of genres, metal and otherwise. There are so many layers, so many things going on and so many contrasts that on first listen you have no idea where he’ll go next, or even where the sound will come from next if you’re listening to this in headphones! Bonafide genius.
10 Venom – Storm the Gates
There’s nothing more heartwarming than a new Venom album dropping out of nowhere, just in time for Christmas when I thought this top ten was complete (sorry Superchunk). Cronos still sounds great, as does the trademark blackened, dirty thrash. The rawness is still there despite production they could only have dreamed of when the classic records were made. And despite the classic lineup being long since gone, it still sounds like classic Venom.
Obviously The Doors’ Strange Days remaster is the best release of 2017, but anything touched by the hand of Morrison transcends mere lists and is therefore not eligible for inclusion at number one, though my favourite living band are definitely worthy alternatives…
1. The Afghan Whigs – In Spades
I love this band. I listen to their entire, almost thirty year long, back catalog incessantly. There’s simply nothing else out there like them, and nothing this year like this. Soulful, sleazy, multidimensional alt-rock with the most talented vocalist of several generations serving up all the grizzled drama and heartache you’ll need until the next time.
2. Satyricon – Deep Calleth Upon Deep
These guys continue to transcend Norwegian black metal with this. Every track is just of such high quality, both in musicianship and sound. And big choruses. Each offers its own variety of polished darkness, with the band never afraid to experiment, whether it’s just dropping the heavy chugging and ferocious blast beats for some (admittedly equally heavy and ferocious) finger picking, going orchestral, operatic or even throwing in some kind of Arabian sax. Just genius.
3. Black Anvil – As Was
Exquisitely produced, sophisticated black-prog metal that came early in the year but from first listen was clear to make this list at the end of it. Very atmospheric, very complex, very heavy, and a real hypnotic joy to listen to, especially through an expensive pair of cans! What Venom might have been if they’d had the money.
4. Moon Duo – Occult Architecture, Vol. 1
The best new romantic psychedelic garage I’ve heard in ages! Given I only grabbed this from Apple Music on the basis of the word “occult” in the title, what a find! And there was a Vol. 2 this year too! Definitely look both of them up for a mesmerising, entirely legal high.
5. Marilyn Manson – Heaven Upside Down
I didn’t realise how much I missed the old Manson until I listened to this for the fist time. Back in his black glittery box full of bombastic, stadium industrial obscenity. Exactly where I like him. The Halloween party that keeps on giving all year long.
6. The Black Angels – Death Song
A wonderful slab of dark, threatening, noisy garage psychedelia from Texas. Or 1968. Which I’ve just noticed spells out where they got their name from! More 13th Floor Elevators than Velvet Underground though. Anyway, it’s their best album to date and a great listen.
7. Gary Numan – Savage (Songs From a Broken World)
This album could be rubbish and would still have to be on here to mark yet another milestone from the man that invented music in 1978. Fortunately it’s anything but rubbish. He’s ditched the silver jumpsuits of old for a messianic take on Mad Max in a post-apocalyptic Middle East; there’s really no stopping him! Mixing synth-industrial with exotic trinkets, The Numanoid continues to bring electronic theatre to the miserable like no one else.
8. White Ward – Futility Report
Black metal infused with lounge sax. It really works! These Ukrainians know their Norwegian heritage, they know their instruments, and they know how to craft an incredible, haunting, depressive journey.
9. Myrkur – Mareridt
Black metal infused with folk – not quite up there with a sax, but it also really works! This album is absolutely stunning. A one-woman odyssey from synth-tinged folk-doom to guttural modern black metal and back again over and over. She’s got serious potential to climb high on my self-indulgent lists in the future!
10. Cradle of Filth – Cryptoriana: The Seductiveness of Decay
Much like their last album, this isn’t the best Cradle of Filth album but it’s a very good one. Actually, it’s very much like their last album, but that’s no bad thing. All the elements are there – melodic black metal padded out with orchestral gothic drama; the musical equivalent of a generic Hammer film. Meaning there’s more than enough to love here no matter how many times you care to listen.
As mentioned in my last couple of posts, not sure why I decided to do this, but throughout the year I’ve been keeping top ten lists of games, films and albums. Here’s the albums one to complete the set.
1. Slayer – Repentless
You know exactly what you’re getting in the first few seconds of this album. It’s unmistakably Slayer, and there can be little more that any fan could demand of a new Slayer album in 2015. The first few tracks hint at the speed rush of Hell Awaits, then interludes emerge nodding more to the more oppressive tone of South of Heaven. Yes, that means more of the same, but that also means more of Slayer, and this year there’s been nothing else that can touch that.
2. Satyricon – Live at the Opera
Whether live or on record, no other progressive black metal band offers polish, accessibility or innovation like Satyricon. And all three are present by the bucket load when they team up with the Norwegian Choir here. On the surface an odd mash-up but just imagine the soundtrack to The Omen then you’re not that far away from the peerless intensity and devastation summoned up in Satyricon’s recent past. If you’re going to lie in the dark with a decent pair of headphones on with anything, do it with this.
3. Swervedriver- I Wasn’t Born to Lose You
Swervedriver were a huge part of the soundtrack to my young adult years, and after all these years they returned to where they left off, somewhere between shoegaze, garage rock and early grunge. Maybe not enough for some, but I couldn’t ask for more.
4. Violet Cold – Desperate Dreams
Post-black metal with synths by a one-man outfit from Azerbaijan doesn’t really do this justice. It is the earliest example of why I quickly converted to Apple Music though – served it up on a beautiful, expressive plate to me when I first started using it for music discovery. From the opening piano track to the immersive, bleak wall of shimmering guitar, keyboards and black metal vocals it develops into, this is a wonderful piece of work.
5. Killing Joke – Pylon
A relentless, pounding industrial war cry from the outset. While the youth seem content with whining, lacklustre, easy listening that you used to hope you’d never grow into, the Youth and his cohort continue to do anger like it never went out of fashion 35 years ago. Middle aged is the new punk.
6. The Black Ryder – The Door Behind the Door
Great piece of late 60’s / early 70’s inspired psychedelic progressive shoegaze… Did I just coin a new genre? This is ambitious and arrogant, just like rock bands used to be.
7. Froth – Bleak
A bit like the aforementioned Swervedriver, this is driving music for those with a mindo of their own – a bit of that Sub Pop style lo-fi, a bit Mary Chain, a bit garage. Very melodic, very West Coast US. Very good.
8. Venom – From the Very Depths
Thankfully some things never change. If you are the type that’s going to buy a new Venom album, you want a Venom album, and that’s what this is. It was never going to capture the energy of the early releases that revolutionised metal all those years ago, but the passion is still there.
9. Dave Gahan & Soulsavers – Angels & Ghosts
This is Depeche Mode with guitars instead of synths, which makes it a completely different prospect but a very appealing one. What a solo project should sound like. There’s a couple of really outstanding tracks on there too.
10. Cradle of Filth – Hammer of the Witches
Vintage Filth – hugely produced, extremely polished orchestral black metal. From eerie soundscapes to pompous thrash, it’s all present and very correct.
I don’t immediately associate the Slayer fan with walking around drinking a cup of coffee like some Camden ponce, but the official store does…
SLAYER PORCELAIN TRAVEL MUG
Slatanic Porcelain Travel Mug holds 16oz of your hot or cold beverage! Microwave and Dishwasher safe with a silicone lid and stopper. This mug can also withstand temperatures up to 400 degrees Fahrenheit!
The price is $24.99.
I love the way they try to metal up a porcelain mug by telling people about the temperatures it can withstand. Of course, the Slayer fan’s mouth can do the same!